TIFF 2026: Reviews and Rankings

Saulo and Michelle review and rank the films of the 51st Toronto International Film Festival as they screen. To be updated during the festival.

The 51st Toronto International Film Festival runs from September 10 to September 20, 2026, with 23 Gala Presentations, 43 Special Presentations and films from close to 30 countries.

THE FESTIVAL

Toronto has run this festival every September since 1976, when it opened as the Festival of Festivals with 127 films from 30 countries and 35,000 people through the doors. It is now the largest publicly attended film festival in the world, and the place where the fall awards season takes its first real shape in front of an audience. The People’s Choice Award is voted by the crowd rather than a jury, which is why its winner gets read as an early signal of the Best Picture race. Hamnet took it in 2025.

The lineup splits across Galas and Special Presentations for the big premieres, Platform for the competitive strand, and Discovery, Midnight Madness, Wavelengths and Centrepiece for everything else, which is usually where the festival hides its best films. Platform expanded to twelve titles this year, and its prize now gives a non-English winner a direct path to Academy consideration for international feature. The 51st edition also launches a formal film market alongside the public festival and brings in Fantasia’s Frontières for the genre side. Reviews On Reels covers all of it, so this ranking mixes the galas with what turns up at midnight.

HOW THE RANKING WORKS

Only films with a published review make the list, ordered worst to best. Every row links to the full review and, once a film opens in Canada, to where it can be watched.

Top 10

Ranking Everything We Saw

Updated September 8, 2026

Still from Gentle Monster
14. Gentle Monster (2026)
Marie Kreutzer • 114 min • Drama • Austria, Germany, France, Sweden, Singapore, Finland
Marie Kreutzer’s Gentle Monster wastes Léa Seydoux’s strong performance on a wretched drama that takes on one of cinema’s hardest subjects and responds with evasions, clumsy parallels, and toothless filmmaking.
Still from Coward
13. Coward (2026) ★★
Lukas Dhont • 120 min • Drama, Romance, War • Belgium, France, Netherlands
Coward finds tenderness in its central romance, but its ideas about art, refuge, cowardice, and war trauma remain frustratingly underdeveloped.
Still from Fjord
12. Fjord (2026) ★★
Cristian Mungiu • 146 min • Drama • Romania, Norway, France, Finland, Denmark, Sweden
Cristian Mungiu’s Fjord has the formal precision of his best work, but a stacked-deck script reduces a genuinely complex moral conflict into a self-satisfied Oscar wannabe.
Still from Josephine
11. Josephine (2026) ★★★
Beth de Araújo • 119 min • Drama, Crime, Thriller • US
Josephine, directed by Beth de Araújo, follows an 8-year-old girl whose routine is shattered by a traumatic event she witnesses during early-morning park training with her dad. The film explores how this trauma alters her perception, while highlighting the inadequacies of the adults and institutions around her. Although Mason Reeves delivers a powerful performance as Josephine, the screenplay falters with inconsistent portrayals of adult characters and blunt dialogue, detracting from its intended emotional depth.
Still from The Beloved
10. The Beloved (2026) ★★★
Rodrigo Sorogoyen • 135 min • Drama • Spain, France
Rodrigo Sorogoyen’s The Beloved is a direct, well-acted father-daughter drama, elevated by Javier Bardem, Victoria Luengo, and its sharp film-set sequences.
Still from La Bola Negra
9. La Bola Negra (2026) ★★★
Javier Ambrossi, Javier Calvo • 155 min • Drama, War • Spain, France
Ambitious and impeccably crafted, The Black Ball is a rare Cannes epic that moves you in the moment and thins out the longer you sit with it.
Still from All of a Sudden
8. All of a Sudden (2026) ★★★
Ryusuke Hamaguchi • 196 min • Drama • Japan, France, Belgium, Germany
Long, dialogue-heavy, and politically restless, All of a Sudden asks the viewer to leave the film a different person, and earns the request.
Still from Iron Boy
7. Iron Boy (2026) ★★★★
Louis Clichy • 89 min • Animation • France, Belgium
Iron Boy is a heartfelt animated film about a farm boy’s journey of self-discovery, friendship, and family dynamics, rendered in beautiful hand-painted visuals.
Still from The Only Living Pickpocket in New York
6. The Only Living Pickpocket in New York (2026) ★★★★
Noah Segan • 88 min • Crime, Drama • US
John Turturro stars as a veteran New York pickpocket in a film that blends nostalgia with a modern narrative. Directed by Noah Segan, it captures the charm of an older city while telling a compelling character study. With a jazzy score and Turturro’s captivating performance, it surprises despite its seemingly straightforward premise.
Still from La Gradiva
5. La Gradiva (2026) ★★★★
Marine Atlan • 145 min • Drama • France, Italy
Marine Atlan’s accomplished debut uses Pompeii, adolescence, and a Parisian school trip to build a smart, unsparing portrait of young people forced too early into fixed roles.
Still from The Unknown
4. The Unknown (2026) ★★★★
Arthur Harari • 140 min • Fantasy, Drama, Mystery • France, Italy
The Unknown uses the body-swap genre to explore identity and self-disgust, with Léa Seydoux delivering a career-best performance.
Still from Club Kid
3. Club Kid (2026) ★★★★
Jordan Firstman • 126 min • Comedy, Drama • US
Funny, fast, and more emotionally grounded than expected, Club Kid marks Jordan Firstman as a filmmaker with real control behind the chaos.
Still from The Man I Love
2. The Man I Love (2026) ★★★★
Ira Sachs • 95 min • Drama, Romance • US, France
Touching and a great showcase for Rami Malek, The Man I Love tells a familiar story in a clever way. Full of stunning moments on and off the stage, it builds to a heartfelt, gut-punch conclusion.
Still from Minotaur
1. Minotaur (2026) ★★★★
Andrey Zvyagintsev • 135 min • Drama, Crime, Thriller • Latvia, France, Germany
Andrey Zvyagintsev’s Minotaur is a precise, oppressive, and emotionally brutal drama that uses one family to expose the machinery of a broken state.

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