cannes 2026

Cannes 2026: Reviews and Rankings

Saulo Ferreira ranks the films of the 79th Cannes Film Festival, from Andrey Zvyagintsev’s Grand Prix winner at number one down to Cristian Mungiu’s Palme d’Or in 29th.

The 79th Cannes Film Festival ran from May 12 to May 23, 2026, with 22 films in the main competition and dozens more across Un Certain Regard, Directors’ Fortnight and Critics’ Week. Park Chan-wook led the jury that gave the Palme d’Or to Cristian Mungiu’s Fjord and the Grand Prix to Andrey Zvyagintsev’s Minotaur. This page collects the Reviews On Reels coverage of that edition in a single ranking that stays current as new reviews are published.

In 2025, we had the cinephile accreditation, which meant long hours in the last-minute queue and 27 films by the end (the goal had been 25, and a power outage on the final day left us three short of 30). That recap ended with me hoping for a press pass. We had one this time, and the count went to 37, spread across the competition and the parallel sections.

37Films watched
3.2Average rating
10Four stars or higher
29thPalme d’Or winner

THE FESTIVAL

Running on the French Riviera every May since 1946, Cannes is the festival the industry builds its year around. The main competition stays small, 22 titles in 2026, and a place in it can shape the rest of a director’s decade. Parasite and Anatomy of a Fall both took the Palme d’Or in the last ten years, and most of what premieres here reaches Canadian screens between the fall and the following spring.

Alongside the competition, Un Certain Regard, Directors’ Fortnight and Critics’ Week run their own selections, and that is usually where a first feature turns up. Reviews On Reels covers all of them, so this ranking mixes the competition titles with the discoveries from the sidebars.

HOW THE RANKING WORKS

Only films with a published review make the list, ordered worst to best. Every row links to the full review and, once a film opens in Canada, to where it can be watched.

Top 10

Ranking Everything We Saw

Updated October 6, 2026

Still from Her Private Hell
34. Her Private Hell (2026)
Nicolas Winding Refn • 110 min • Horror, Science Fiction, Thriller • US, Denmark, UK
Her Private Hell lives up to its title, trapping Nicolas Winding Refn’s neon obsessions inside a shapeless, punishing, and nearly unbearable misfire.

Where to watch: Buy/Rent

Still from Gentle Monster
33. Gentle Monster (2026) ★
Marie Kreutzer • 114 min • Drama • Austria, Germany, France, Sweden, Singapore, Finland
Marie Kreutzer’s Gentle Monster wastes Léa Seydoux’s strong performance on a wretched drama that takes on one of cinema’s hardest subjects and responds with evasions, clumsy parallels, and toothless filmmaking.
Still from Sheep in the Box
32. Sheep in the Box (2026) ★
Hirokazu Kore-eda • 126 min • Drama, Science Fiction • Japan
Kore-eda’s Sheep in the Box raises familiar questions about grief, family, and artificial life, but its AI drama feels too derivative and a retread of better science-fiction films.

Where to watch: Buy/Rent

Still from Parallel Tales
31. Parallel Tales (2026) ★★
Asghar Farhadi • 139 min • Drama, Mystery, Thriller • France, Belgium, Italy, US, Saudi Arabia
Asghar Farhadi’s Parallel Tales has sharp moments of thriller craft, but its overlong structure turns a promising Hitchcockian experiment into a complete mess.
Still from Coward
30. Coward (2026) ★★
Lukas Dhont • 120 min • Drama, Romance, War • Belgium, France, Netherlands
Coward finds tenderness in its central romance, but its ideas about art, refuge, cowardice, and war trauma remain frustratingly underdeveloped.
Still from Fjord
29. Fjord (2026) ★★
Cristian Mungiu • 146 min • Drama • Romania, Norway, France, Finland, Denmark, Sweden, US
Cristian Mungiu’s Fjord has the formal precision of his best work, but a stacked-deck script reduces a genuinely complex moral conflict into a self-satisfied Oscar wannabe.
Still from Nagi Notes
28. Nagi Notes (2026) ★★
Koji Fukada • 110 min • Drama • Japan, France, Singapore, Philippines
In Nagi Notes, Koji Fukada turns a rural Japanese town into a gentle study of solitude, though the film often feels way too delicate.
Still from In Waves
27. In Waves (2026) ★★
Phuong Mai Nguyen • 91 min • Animation, Romance, Drama • France, Belgium, US
Beautifully animated but dramatically thin, In Waves turns Dungo’s autobiographical graphic novel into a romance that never catches the wave.
Still from Fatherland
26. Fatherland (2026) ★★
Paweł Pawlikowski • 82 min • Drama, History • Poland, Germany, France, Italy, UK
Sandra Hüller brings the only warmth Pawlikowski’s Fatherland allows. A beautifully shot, intellectually distant third pass through divided Europe.
Still from Paper Tiger
25. Paper Tiger (2026) ★★★
James Gray • 115 min • Crime, Drama, Thriller • US, Brazil, Italy, France, Cyprus, UK, Qatar
Paper Tiger extends James Gray’s familiar family tensions into mob territory, with Adam Driver shining in a film that remains at arm’s length.
Still from The Birthday Party
24. The Birthday Party (2026) ★★★
Léa Mysius • 114 min • Thriller • France, Belgium
Léa Mysius crafts edge-of-your-seat tension in The Birthday Party, but its fascinating character secrets and themes remain frustratingly underexplored.
Still from Colony
23. Colony (2026) ★★★
Yeon Sang-ho • 123 min • Action, Horror, Science Fiction • South Korea
Yeon Sang-ho’s Colony is a confident, well-built zombie film that never challenges Train to Busan, but still delivers the good time it promises.

Where to watch: In Theaters

Still from The Match
22. The Match (2026) ★★★
Juan Cabral, Santiago Franco • 91 min • Documentary • Argentina, UK
A documentary about the most argued-over ninety minutes in football, told with craft and rhythm, but unwilling to sit with the cultural fracture that made the Hand of God a forty-year wound.
Still from Propeller One-Way Night Coach
21. Propeller One-Way Night Coach (2026) ★★★
John Travolta • 60 min • Adventure, Drama, Family • US
Propeller One-Way Night Coach finds John Travolta revisiting his childhood with genuine affection, resulting in a modest, nostalgic trip.

Where to watch: Apple TV

Still from Forever Your Maternal Animal
20. Forever Your Maternal Animal (2026) ★★★
Valentina Maurel • 100 min • Drama • Costa Rica, Belgium, France, Mexico
Valentina Maurel’s Forever Your Maternal Animal is an intimate Costa Rican drama about family collapse and emotional responsibility.
Still from Moulin
19. Moulin (2026) ★★★
László Nemes • 130 min • History, Drama, War • France, Belgium, US
Moulin turns Jean Moulin’s final mission into a tense, respectable historical drama, strong in craft and performance but more conventional than expected from Nemes.
Still from Karma
18. Karma (2026) ★★★
Guillaume Canet • 140 min • Thriller • France, Cyprus
Karma packs enough twists and turns to fill a compelling prestige mini-series, with the benefit of not making you wait ten episodes to see how it ends.
Still from The Beloved
17. The Beloved (2026) ★★★
Rodrigo Sorogoyen • 135 min • Drama • Spain, France
Rodrigo Sorogoyen’s The Beloved is a direct, well-acted father-daughter drama, elevated by Javier Bardem, Victoria Luengo, and its sharp film-set sequences.
Still from A Woman's Life
16. A Woman's Life (2026) ★★★
Charline Bourgeois-Tacquet • 98 min • Drama, Comedy • France, Belgium
Bourgeois-Tacquet’s sophomore feature is a well-made if unmemorable portrait of a Lyon surgeon, anchored by another strong Léa Drucker performance.
Still from Tangles
15. Tangles (2026) ★★★
Leah Nelson • 102 min • Animation, Drama • US, Canada
Tangles uses animation beautifully to capture the cruelty of Alzheimer’s, even when its uneven humor and broad supporting characters keep it from becoming the devastating film it could have been.
Still from Teenage Sex and Death at Camp Miasma
14. Teenage Sex and Death at Camp Miasma (2026) ★★★
Jane Schoenbrun • 112 min • Comedy, Horror, Romance • UK, US
Jane Schoenbrun’s meta-slasher has the year’s best sequences and a fearless Gillian Anderson, but still struggles to tie its ideas together.

Where to watch: Buy/Rent

Still from Bitter Christmas
13. Bitter Christmas (2026) ★★★
Pedro Almodóvar • 111 min • Drama, Comedy • Spain
Pedro Almodóvar’s Bitter Christmas is uneven by design, with a rough first half that eventually gives way to a witty and affecting reflection on legacy, and creative doubt.
Still from La Bola Negra
12. La Bola Negra (2026) ★★★
Javier Ambrossi, Javier Calvo • 155 min • Drama, War • Spain, France
Ambitious and impeccably crafted, The Black Ball is a rare Cannes epic that moves you in the moment and thins out the longer you sit with it.
Still from All of a Sudden
11. All of a Sudden (2026) ★★★
Ryusuke Hamaguchi • 196 min • Drama • Japan, France, Belgium, Germany
Long, dialogue-heavy, and politically restless, All of a Sudden asks the viewer to leave the film a different person, and earns the request.
Still from Blaise
10. Blaise (2026) ★★★★
Dimitri Planchon, Jean-Paul Guigue • 83 min • Animation, Comedy • France
Blaise is a delightful, clever satire, and though it doesn’t break new ground in its critique, it entertains with its absurdities while poking fun at the worst kind of human beings.
Still from Orange-Flavoured Wedding
9. Orange-Flavoured Wedding (2026) ★★★★
Christophe Honoré • 115 min • Drama, Comedy • France
Christophe Honoré makes sprawling ensemble storytelling look effortless in Orange-Flavoured Wedding, a funny, intimate, and bittersweet family drama.
Still from Club Kid
8. Club Kid (2026) ★★★★
Jordan Firstman • 126 min • Comedy, Drama • US
Funny, fast, and more emotionally grounded than expected, Club Kid marks Jordan Firstman as a filmmaker with real control behind the chaos.
Still from Iron Boy
7. Iron Boy (2026) ★★★★
Louis Clichy • 90 min • Animation • France, Belgium
Iron Boy is a heartfelt animated film about a farm boy’s journey of self-discovery, friendship, and family dynamics, rendered in beautiful hand-painted visuals.
Still from I See Buildings Fall Like Lightning
6. I See Buildings Fall Like Lightning (2026) ★★★★
Clio Barnard • 109 min • Drama • UK, US
I See Buildings Fall Like Lightning is a modern-day Trainspotting, kinder in tone but just as tragic in its view of friendship, class, and lost possibility.
Still from La Gradiva
5. La Gradiva (2026) ★★★★
Marine Atlan • 145 min • Drama • France, Italy
La Gradiva is an impactful film that dramatizes the transition to adulthood through a school trip in Naples. Exquisitely directed and beautifully shot, Marine Atlan’s remarkable debut takes its time observing these teenagers, finding enormous emotional weight in the uncertainty of youth and the frightening question of how much control we really have over who we become.
Still from The Unknown
4. The Unknown (2026) ★★★★
Arthur Harari • 140 min • Fantasy, Drama, Mystery • France, Italy
The Unknown uses the body-swap genre to explore identity and self-disgust, with Léa Seydoux delivering a career-best performance.
Still from The Man I Love
3. The Man I Love (2026) ★★★★
Ira Sachs • 95 min • Drama, Romance • US, France
Touching and a great showcase for Rami Malek, The Man I Love tells a familiar story in a clever way. Full of stunning moments on and off the stage, it builds to a heartfelt, gut-punch conclusion.
Still from Hope
2. Hope (2026) ★★★★
Na Hong-jin • 157 min • Science Fiction, Mystery, Action • South Korea
Hope is a thrilling, exhausting creature feature from Na Hong-jin, mounted with a scale and intensity rarely seen in modern cinema.

Where to watch: In Theaters

Still from Minotaur
1. Minotaur (2026) ★★★★
Andrey Zvyagintsev • 135 min • Drama, Crime, Thriller • Latvia, France, Germany, Switzerland, US
Andrey Zvyagintsev’s Minotaur is a precise, oppressive, and emotionally brutal drama that uses one family to expose the machinery of a broken state.

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