Rollerball (1975)Norman JewisonScience Fiction / Drama
Rollerball poster
Movie review

Rollerball

3/5

Rollerball thrusts us into a corporate-run future where star player defies forced retirement, uncovering an engaging—though lightly developed—conspiracy beneath the thrilling, violent spectacle of rollerball.

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Directed byNorman Jewison
Release dateJun 25, 1975
Runtime2h 5m
Where to watchBuy or rent

This review is part of the Reviews On Reels 1975 Rewind series, dedicated to revisiting films in the context of their release.

See all 1975 reviews

Rollerball takes us to a future world (futuristic for 1975, set in 2018) where corporations govern society, and the sport of rollerball is at the center of public life. To keep things interesting, corporate leaders continuously alter the game’s rules and have a heavy hand in shaping the lives of players.The world’s top player, Jonathan E. (James Caan), is offered a substantial retirement package but refuses to quit. The corporation’s insistence on his retirement pushes him to question, and ultimately seek to uncover, the forces behind their decisions. In response, the corporations make the game increasingly violent, hoping to force Jonathan out, one way or another.

The film presents two main aspects: the sport itself and a thriller element with a touch of noir. In the sports scenes, Rollerball excels. It makes Jonathan’s star status as a top player believable, and the game, invented for the film, is surprisingly engaging, to the point that the cast and crew reportedly played it between takes. The Tokyo match is a particular highlight, with tight, unpredictable shots that keep you on edge.

However, the thriller side of the film doesn’t quite hit the mark. It’s never boring, but it holds back, missing the chance to take things to the next level. Jonathan’s flashbacks and dreams are a nice touch, and the cold, futuristic production design gives the setting a believable corporate chill (the classical score, in a dramatic Kubrick-like style, is also a nice touch). Still, you’re left wanting more, like Jonathan, you want answers on what the corporation’s true endgame is and why they don’t take more extreme measures.

The film touches on AI themes and sports culture, but the focus on these ideas remains light, and the outside world is limited to the audience’s reactions in the stadium. James Caan has the presence to carry the role, portraying Jonathan’s quiet melancholy well. Overall, Rollerball keeps you entertained with its gripping games and well-crafted world, even if it doesn’t quite explore its ideas as deeply as it could.

At a glance
3/5
Worth your time
#30 of 51 in 1975 Movies RankedSee the ranking →
Where to watch
Rent or buy at Apple TV Store, Google Play Movies, YouTube, Amazon Video
Where to watch
Rent or buy at Apple TV Store, Amazon Video
Trailer
Play trailer
Film details
Original title
Rollerball
Director
Norman Jewison
Cast
James Caan, John Houseman, Maud Adams, John Beck, Moses Gunn, Pamela Hensley, Barbara Trentham, Shane Rimmer
Rated
R
Screenwriter
William Harrison
Composer
André Previn
Cinematography
Douglas Slocombe
Editor
Antony Gibbs
Country
Language
English
Budget
$6 million
Box office
$30 million

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